Weng fen biography examples
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Faye Wong
Chinese singer-songwriter and actress (born 1969)
For other uses, see Faye Wong (disambiguation).
In this Chinese name, the family name is Wong (Wang).
Faye Wong (Chinese: 王菲; pinyin: Wáng Fēi; born on 8 August 1969) is a Chinese singer-songwriter and actress. Early in her career she briefly used the stage nameShirley Wong (王靖雯). Born in Beijing, she moved to British Hong Kong at the age of 18. She debuted with the Cantonese album Shirley Wong in 1989 and came to public attention by combining alternative music with mainstream Chinese pop.[2] Later in her career, Wong has recorded mostly in her native Mandarin, with some songs in English, Japanese, and Sanskrit.
One of the biggest pop stars in the Chinese-speaking world, Wong has also gained followings in Japan and Southeast Asia. In the West she is perhaps best known for starring in Wong Kar-wai's films Chungking Express (1994) and 2046 (2004).[2][3] Upon her second m
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Exhibition dates: 2nd July 2010 – 3rd February, 2011
Curator: Douglas Eklund, Associate Curator in the Department of Photographs
Many thankx to The storstads- Museum of Art for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.
Richard Long (British, b. 1945)
County Cork, Ireland
1967
Gelatin silver print
76.2 x 101.6 cm (30 x 40 in.)
The Metropolitan Museum of Art, Purchase, Vital Projects Fund Inc. Gift, through Joyce and Robert Menschel, 2010
© Richard Long
Long was a key figure in recasting sculpture in two directions: inward toward the gestures of bodies in space and outward toward the creation of ephemeral works made directly in the landscape. A student of the sculptor Anthony Caro at Saint Martins College of Art, Long was well versed in the reductive quality of geometric abstraction but sought to make the struktur of his works even more
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Weng Fen
Themes of transformation, globalization, boundaries, and migration permeate the imagery of Chinese photographer Weng Fen (also known as Weng Peijun). In his understated pictures, vast, blue skies are predominately featured, and his compositions typically consist of an individual or small group of people, their backs to the camera. In some cases, these subjects look upon rising cityscapes, large bodies of water, or utopic natural landscapes, their bodies dwarfed by the scale and magnitude of their surroundings, whether that be human technology or nature’s wonder. As such, Weng conveys his ideals and hopes for contemporary China, its migrants, workers, children, and families.
In particular, Weng is noted for his Sitting on the vägg series, epic images wherein schoolgirls perch atop brick, concrete, and foliage-covered barriers. With their backs to the camera, and likewise the viewer, they gaze out across rapidly developing urban centers