Andrew clements author biography essay
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ALA Schneider Family Book Award
Awarded2004 for Things Not Seen
ALA/YALSA Best Book For Young Adults
Awarded2002 for Things Not Seen
Arizona Young Readers' Award
Nominated1998-1999 for Frindle
ASPCA Henry Bergh Children's Book Honor
Awarded2001 for Brave Norman: A True Story
Bank Street Best Books of the Year
Awarded2005 for Lunch Money
Bank Street Best Books of the Year
Awarded2007 for Dogku
Bank Street Best Books of the Year - with Outstanding Merit
Awarded2009 for Extra Credit
Battle of the Books Reading List
Nominated1998 for Frindle
Best Fiction for Teenagers--China Times, Taiwan
Awarded2015 for The Map Trap
Best Kids Books – Family Fun Magazine
Noted1998 for Frindle
Black Eyed Susan Book Award -- Maryland
Awarded2009 for No Talking
Black Eyed Susan Book Award -- Maryland
Awarded1999 for Frindle
Black-Eyed Susan Book Award-Maryland
Awarded1998-1999 for Frindle
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I am so far aware of three written reviews of my recent book, After Wagner: Histories of Modernist Music Drama from 'Parsifal' to Nono plus one spoken review on BBC Radio Three's Music Matters. The first two written reviews have had much positive to say, but have also offered some more critical remarks, all of which have been taken in good humour, whether I agree or otherwise. In particular, Arnold Whittall's comments in his Musical Times review have made me think - as well as value his words of praise greatly. It came to my attention this week that Andrew Clements, a Guardian journalist, had written a less than complimentary review in Opera magazine.
Upon reading a copy of his review, I found it so ill-informed and, worse still, downright lazy that I was tempted to write to the magazine. Wiser counsel (perhaps) prevailed. However, despite my (perhaps better) inclination just to leave what he had written in the silence it deserved, I thought I should offer
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Discovering Andrew Clements
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By Saraphina Sefcik
Imagine your own private, peaceful domain attached to the side of your house. It’s a space that still feels like home, but is separate and distraction-free. It’s a comfortable space that features beautiful windows, towering bookcases, high ceilings, and fuzzy cats. These features complement each other creating the perfect writing space. Having a tranquil space to write encourages writers to vända their idea into a story. A comfortable space like this is where Andrew Clements, author of Lunch Money, Things Not Seen, and more recently We the Children, enjoys writing. Although these are popular books, Clements is most known for his debut award-winning novel Frindle, a book that has been enjoyed and loved by many generations.
Frindle
Frindle, published in 1996, was Clements’ first chapter book. Frindle explores the power of words and demonstrates how they can influence the world. Furthermore, this