James craig annan biography examples
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However, he eventually embraced the family business of photography, and in 1883, Mr. Annan traveled to Vienna, where he learned the new and exciting process of etching known as photogravure from its uppfinnare, Karl Klic. Mr. Annan quickly mastered this technique, and after his father's death in 1887 he returned home to become a partner in the family's photographic business, T and R Annan. Mr. Annan began making his own photogravure prints three years' later, and examples of his photographic reproductions can be found in the volume Sir Henry Raeburn: A Selection of his Portraits.
During the early 1890s, Mr. Annan traveled extensively through Europe with his friend,
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Bates College
James Craig ytterligare (Scottish, 1864-1946)
Annan was a pionjär in the technique of photogravure, a time-intensive method of photographic intaglio printing using copper plates. He was known for his commercial portrait photography, as well as personal portraiture, genre scenes, and landscapes.
For instance, British actress Ellen Terry is framed bygd a dark studio background. ytterligare used the subtleties of photogravure to his advantage; his photographs are notable for their painterly quality, delicate textures, and soft shifts in light. He advocated for photography to be held in equal standing with painting and drawing.
Son of photographer Thomas Annan, he studied chemistry and natural philosophy at Anderson’s College in Glasgow before returning home to work at the family photography studio. Annan then moved to Vienna with his father to learn the technique of photogravure from an early uppfinnare of the process, artist Karel Klíč. Known for both his commercial a
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T. & R. Annan & Sons
Notes:
1: Calotype was the name given by its inventor, Henry Fox Talbot (1800–77), to the process whereby a picture was produced by the action of light on silver iodide then developed and fixed. Sara Stevenson, Thomas Annan, 1829–1887, exh. cat., National Galleries of Scotland, Edinburgh, 1990, pp. 4–5; Sara Stevenson, 'Thomas Annan', Oxford Dictionary of National Biography, online edition [accessed 10 June 2013].
2: While the earlier, silver-based process had a tendency to discolour and fade, the carbon process used pigmented gelatin, and the resulting prints were stable, with a rich gradation of tone.
3: Sara Stevenson, Thomas Annan, 1829–1887, exh. cat., National Galleries of Scotland, Edinburgh, 1990, pp. 5–8.
4: Sara Stevenson, Thomas Annan, 1829–1887, exh. cat., National Galleries of Scotland, Edinburgh, 1990, pp. 13–18.
5: Autotype was a carbon-pigment printing process for the monoc