Colangelo silvia pinal biography

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Abbott Caroline A., Malik Rayaz A., van Ross Ernest R.E., Kulkarni Jai and Boulton Andrew J.M.
Prevalence and Characteristics of Painful Diabetic Neuropathy in a Large Community-Based Diabetic Population in the U.K.Diabetes Care  34. 2220-2224. 2011.  Neuropathy
http://care.diabetesjournals.org/content/34/10/2220.abstract

Abuissa Hussam, Jones Philip G., Marso Steven P. and O'Keefe Jr James H.
Angiotensin-Converting Enzyme Inhibitors or Angiotensin Receptor Blockers for Prevention of Type 2 Diabetes: A Meta-Analysis of Randomized Clinical Trials.Journal of the American College of Cardiology  46. 821-826. 2005.  Meta-analysis
http://www.sciencedirect.com/science/article/pii/S0735109705012714

Adler A. I., Levy J. C., Matthews D. R., Stratton I. M., Hines G. and Holman R. R.
Insulin sensitivity at diagnosis of Type 2

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"Ebola Syndrome" in One Shot

One Shot is a series that seeks to find an essence of cinema history in one single image of a movie. A pair of scissors; a tongue. Hong Kong filmmaker Herman Yaubegins his cult classic Ebola Syndrome (1996) with a gesture reminiscerande of the slice across the retina that notoriously opens Luis Buñueland Salvador Dalí’s surrealist masterpiece Un chien andalou (1929). Whereas Buñuel and Dalí’s gesture was an assault on the visual order of bourgeois normativity, Yau’s unsettling slash strikes at something more corporeal and indefinable: taste. Both aesthetic and somatic taste is the primary focus of Ebola Syndrome, and the rulle is as much about the unpleasant sights Yau serves his audience as it is about the nasty ingredients the film’s protagonist, the repugnant chef Kai Sun(Anthony Wong), serves to his customers, such as snot, sperma, urine, human flesh, and the Ebola virus just to name a few.

See full article at MUBI

Fritz Lang (I)

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A Jackie Chan Comedy Is One Of Disney's Biggest Box Office Flops

In 2009, Disney purchased the film rights to Marvel Studios. In 2012, Disney purchased Lucasfilm. In 2017, Disney purchased the 20th Century Foxlibrary. Thanks to these major buys, Disney now owns some of the most bankable films of all time. When not adjusted for inflation, Disney also owns a controlling stake in nine out of the 10 highest-grossing movies ever, including two "Avatar" movies, "Titanic," three movies in the Marvel Cinematic Universe, a Pixarfilm, a "Star Wars" film, and a remake of an animated classic.

But every major hit seems to balance itself out with a major loss. Disney also has ownership of some of the biggest box office bombs of all time, as the "high risk, high reward" filmmaking model has proven unsuccessful at least as often as it has worked. Disney also owns major commercial duds like "The Marvels," "John Carter," "