Olin dows biography sample
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Oral history interview with Alice Graeme Korff, Oct. 7
Transcript
Preface
The following oral history transcript is the result of a tape-recorded interview with Alice Korff on October 7, The interview took place in Washington DC, and was conducted by Harlan Phillips for the Archives of American Art, Smithsonian Institution.
Interview
HARLAN PHILLIPS: I think most important of all and something which historians often overlook is the context in which events occur. Somehow it gives shape, dimension and scope. Were you here in Washington in the thirties?
ALICE KORFF: Yes, I was living here and I was a friend of the Bruce's - Ned Bruce, I assume that you've worked with Peggy Bruce.
HARLAN PHILLIPS: She was marvelous.
ALICE KORFF: Well, it was really through him that the project started, as you know, and through George Biddle. Ned Bruce was the guiding force of the project for so many years.
HARLAN PHILLIPS: Is this the PWAP - the early one?
ALICE KORFF: Yes.
HARLAN PHILLIPS: '3
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Art of the New Deal
"I, too, have a dream-to show people in the out of the way places, some of whom are not only in small villages but in corners of New York City-something they cannot get from between the covers of books-some real paintings and prints and etchings and some real music."
Franklin Roosevelt to Hendrik Willem Van Loon, January 6,
FDR's New Deal provided federally-funded jobs for millions of unemployed Americans during the Great Depression. These included jobs for tens of thousands of artists, including musicians, actors, dancers, writers, photographers, painters, and sculptors. Asked why the government should provide jobs for unemployed artists, New Deal administrator Harry Hopkins replied, "Hell, they've got to eat just like other people."
Government art programs rescued artists from poverty and despair. But they also served a
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