Peter carey australian author
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"If you are MAKING ART," says a character in Peter Carey's magnificent new novel [Theft: A Love Story] "the labour never ends, no peace, no Sabbath, just eternal churning and cursing and worrying and fretting."
Carey is an artist who churns and curses and worries and frets. His novels roil, threatening at any moment to erupt impolitely all over the carpet. He is formally ostentatious, often inventing fabulist characters with equally fabulist voices and generally remaining allergic to adjective-free naturalism. Perhaps this is why, despite being one of the world's leading novelists, he is more respected than loved. Too emotionally dangerous to be fully embraced by doe-eyed lovers of The Time Traveler's Wife, too much fun to be taken entirely seriously by the dour acolytes of JM Coetzee (the contemporary whose career his most resembles), Carey ploughs his own dogged, compelling, fantastical furrow. For these reasons alone - that he frightens those who want their
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Peter Carey
Peter Carey was born in Australia in 1943. He was educated at the local state school until the age of eleven and then became a boarder at Geelong Grammar School. He was a student there between 1954 and 1960. In 1961 he studied science for a single, unsuccessful year at Monash University. He was then employed by an advertising agency where he began to receive his literary education, meeting referens till den amerikanska författaren william faulkner, Joyce, Kerouac and other writers he had previously been unaware of. For the next thirteen years he wrote fiction at night and weekends, working in many advertising agencies in Melbourne, London and Sydney. After four novels had been written and rejected, The Fat Man in History — a short story collection — was published in 1974. Between 1976 and 1990, he was able to pursue literature obsessively. It was during this period that he wrote War Crimes, Bliss, Illywhacker, Oscar and Lucinda. Illywhacker was short listed for the Booker Prize. Oscar and Lucinda won it.
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